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11-27-2007


Now in its second year, the Berlin Porn Film Festival screened 150 dirty movies over five days in late October. Think about that for a minute: that's a lot of porn. As something of a professional porn watcher myself, I saved up my energy and refrained from watching (much) porn before I crossed an ocean to sit in the dark and watch dirty movies with European strangers. Not satisfied with merely screening 25 films a day at three different movie theaters around Berlin, the Festival's organizers also organized a nightly afterparty at the L.U.X. Nachtbar with a variety of performers -- plus, there were workshops, panels, and art shows at venues all over the city. Suffice to say: this was not a wee event taking place in a remote, run-down porn theater with sticky floors.

My boyfriend and I arrived in Berlin on a delightfully overcast Wednesday, and after a nap and shower in an attempt to shake our jetlaggy grogginess, we were introduced to an interesting cast of characters. Joe Gallant, my favorite New York smutmeister, was a familiar face -- but Mouse, a performance artist and all around dirty girl from London, and Jimmy Picker, an animator from New York, were strangers. Joe's films Atomic Skullfuck Orgy and Ave. X, were screening during the festival, Mouse would be performing during the opening night party, and Jimmy Picker's animated film "The Age of Ignorance" was featured during the short film program.

Over a lunch of sausages smothered in mystery sauce, Joe and Mouse discovered their mutual enthusiasm for all things anal -- our table conversation was definitely one for the steely stomachs of seasoned professionals. Joe compared himself to John Stagliano, the

Mouse
famed Buttman, by saying, "I'm not so much a butt man as a rectum man." As his films reveal, Joe believes that beauty is on the inside -- but it should be excreted for the world to admire on screen. The program description of Mouse's performance includes the phrase "aquatic arse fountain," which basically means that these two are a match made in heaven. Or maybe that other place, depending on how you judge these things. Over lunch, they swapped diet tips -- Mouse declared that eating bread on the day of a performance makes for tough going, but they both agreed that regular rice consumption was the way to go for a good consistency. So in "you learn something new every day" news, I filled my daily quota for scat know-how. At the party later that night, we got a better look at Mouse's arse fountain as she sprayed the audience with water lovingly processed by both her vagina and anus.

Though watching dozens of porn movies was definitely an awesome thing, the highlight of the whole experience was meeting people. People who direct, produce, star in and otherwise affiliate themselves with porno are, plainly put, a strange bunch. Talking about scat over lunch is nice and all, but sitting through a film program is much more fun when you're engaging in some running banter with the pornographer sitting next to you. I watched the Short Film Competition with the aforementioned Jimmy Picker, Jennifer Lyon Bell (whose short "Headshot" was in the festival last year), and Manon des Gryeux, a retired Paris showgirl and director of the short "Bijoux de Famille." Jimmy had expertly guided us to a kind of secret balcony to watch the screening. Before the lights dimmed, we asked him about his Oscar for animation, which he says he keeps in a sock on his mantel. This way, he can show it off when he feels like it, but it isn't overly noticeable so if there's a break-in it won't be the first thing to disappear.

During the screening, I learned a lot more about the sexual predilections of my seat-mates, who commented under their breath about everything from pubic grooming to genital endowment to the timbre of the performer's moans. Manon, who looked fit for a hot older ladies porn site in her waist cincher and nipple-revealing black lace shirt, leaned over during the squirtastic finale of Catherine Corringer's "This is the Girl" and said, "I think that I do not know anything about love!" in her charming French accent.

The show at L.U.X., the official BPFF after party bar

Besides being in movie theaters a lot, I spent the vast majority of my time in Berlin in the dark, so I never made it to any of the art galleries to see the porn-related exhibits. This was a bit of a bummer, but the nighttime activities were appealing enough that I didn't really mind sleeping through days of fun in an interesting city. As a New Yorker, I of course compare everywhere I travel to my hometown, and Berlin definitely stacked up pretty well. This favorable conclusion might have something to do with the fact that my visit to the city was peppered with visions of nudity, but I found it easy to hail cabs and get a variety of delicious foods at all hours -- which warms me up to any city.

The vast majority of my time out on the town was spent at L.U.X., the official party bar of the event, which in addition to Mouse's inaugural night performance, featured lots of DJs, porn-inspired and downright pornographic video art, and other live performances. Unlike porn events in the United States, which are coded as either straight or gay and attract a pretty targeted audience as a result, the Berlin Porn Film Festival seemed to have a pretty wide-ranging appeal. The crowd at the parties and at the theaters could have been a bunch of hipster art show attendees - though the nudity here and there kind of gave the event away as porn-related. Everyone seemed to appreciate the range of sexual beings on display, from petite anal fisters like Mouse to big gay bears, and everything in between.


The lube and breadstick girl
For the most part audiences at the theaters and at the bar kept their hands to themselves and didn't whip it out, and conversations seemed to get a lot more heated than any make-out sessions. On Saturday, I participated in the "Good Porn for Good Girls" panel on woman and porn along with directors Erika Lust (from Barcelona, director of "Five Hot Stories for Her"), Julia Ostertag (from Berlin, director of "Sklaven der Lust"), Ovidie (from Paris, director of "Les Concubines"), and Petra Joy (from Brighton, director of "Female Fantasies"). The panel quickly shifted from general theorizing on feminism and pornography to a pretty specific argument over blowjobs and other sex acts. Apparently, it is still 1985 in Europe -- there are still a lot of arguments about whether or not women want to see porn and whether or not women enjoy blowjobs. Some of the audience members were really really concerned about the blowjob issue and wanted answers, dammit! How can blowjob giving and filming of blowjobs be a feminist thing if it's all about pleasing a man?

Erika Lust, a recent mom, announced that as a woman she loves cocksucking, which is why it's so prevalent in her films. The audience seemed unconvinced, while the directors were pretty unapologetic about their enthusiasm for the blowjob. Facial cumshots, however, had more mixed responses on the panel, and the audience was even more rankled by the idea that some women don't mind or are even happy about getting cum deposited on their faces. The panel about women was really the only time I saw people at the festival getting upset about sex acts and what they mean. At the end of the panel, all the directors said a few words about upcoming projects and when their films would be screening, and Ovidie made sure to warn (with a mischievous glee, I might add) that her films have lots of cocksucking.


Jennifer Lyon Bell and Louise
The lady porn directors were some of the best and boldest characters of the event, but on the last day of the festival I got to encounter a really colorful character in the form of Big Bert, the subject of Ingo Hamacher's documentary "The Last Pimp." I shared a flat with Ingo during the event, so I'd gotten a bit of a behind the scenes preview of the making of his film, which he'd been so behind on editing that he missed his flight to Berlin. Ingo hadn't had time to add English subtitles so the film is entirely in German, though he says he'll be making an effort to get it translated. The screening of the film was the first time that Big Bert would get to see the film, and he rolled in looking very colorful and conspicuous, with busty ladies on his arms. Out of pure curiosity and despite my inability to understand German, I sat in on the first fifteen minutes of the film. Predictably, the audience tittered each time Bert appeared on screen in a different outfit (pink satin suit, all white fur, tiger stripe g-string, etc). Ingo also told me later that he'd tried to edit carefully because in Bert's one-on-one interviews he misused and mispronounced a lot of twenty-dollar words he was using to look smart. Ingo didn't want to overdo making Bert look ridiculous, but he also knew that audiences would find him comical no matter what the editing was like. After the screening, Bert was pissed -- he didn't understand why people were laughing. Hopefully he won't take out his frustration on Ingo or his crew and will realize that the life of a pimp is totally alien -- and, yes, funny -- to many people.

At the closing party, I was reminded of exactly how awesome and different the Berlin Porn Film Festival was. Though the programming and the parties were sometimes tongue-in-cheek and humorous, the festival pushed the envelope just enough to make things interesting without being sleazy in the bad way. On our final night at L.U.X., a burlesque duo from Paris, Wendy Delorme and Lousie deVille, did their thing on the bar and on a freakishly high ledge overlooking the crowd. I'm a jaded New Yorker who has seen burlesque ranging from the bland to the profane, but stateside burlesque is subversive while also being well behaved. The Paris duo had all the trappings of standard burlesque, but they performed without pasties -- and, furthermore, without panties. The wonder of panty-less performance actually served a purpose, too: to conclude their cute housewife-themed number, Louise pissed all over Wendy. I don't see that everyday in live performances (though I kinda wish I did)!

Berlin Porn Film Festival - by Audacia Ray Top of the Guide

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